BlockerTwenty-two slides of board–test–board–test is a metronome. By the fourth ad the audience knows the rhythm and stops reading; by the seventh the presenter is skipping. Present three ads in full (09, 02, 01 — the ones the other audits crowned), show the other seven as one contact-sheet slide, and move their scroll tests to the appendix. Twenty-two slides become six; the twenty-minute promise becomes true.
MajorThe Meta-unit chrome is illegible from two meters. 11–13px chrome text scaled to roughly 15px on a 1080p slide reads fine on a laptop and dies in a room. The chrome earns its place as proof of format — but the board’s headline should also appear at slide scale beside the unit, so the room reads the ad while the unit proves the format.
MajorThe appendix talks over the close. “The ask” is built to be the last thing seen — then the simulation prompt plays after it, and the room’s final image is a wall of mono text. Either end on the ask (appendix as a separate leave-behind file) or insert a black “Appendix” divider so the close visibly ends the argument.
MajorSection numbers and slide count have diverged. The kickers say 10, 11, 12, 13, 14 — but section 12 alone is twenty-four slides, so “12” appears on two dozen consecutive headers while the rail shows 12a through 12n. Number the sub-beats on the kicker itself (12.3 of 12.14) or drop the number from repeated headers and let the section name carry it.
MinorTwo competing divider languages. Week one is a red poster; the contents and the ask are black slides. Both read as “section break,” so the hierarchy between them is invisible. One color for chapter openers, the other reserved for the two moments that matter (contents, ask) — not interleaved.
CreditWhat’s working: the before/after convention is instantly legible and never explained twice; the kicker system on slides 01–09 is genuinely disciplined; the tracker’s thumbnail column solved its wall-of-text problem; and the red band running through week one, the verdict tags and the ask gives the deck one continuous voice. The bones are good — the creative section just needs an editor with a knife.